Through the lens of Aleksandr Rodchenko’s photography, Aglaya Glebova (History of Art) charts a new and provocative understanding of the troubled relationship between technology, modernism, and state power in Stalin’s Soviet Union.

Aleksandr Rodchenko: Photography in the Time of Stalin (Yale, 2023) traces the shifting meanings of photography in the early Soviet Union, as it reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891–1956), a versatile Russian artist and one of Constructivism’s founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.

In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko’s photography questioned his own modernist commitments. At the heart of this book is Rodchenko’s infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova’s careful reading of Rodchenko’s photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work Rodchenko undertook with Varvara Stepanova, his partner in art and life.

Glebova is joined by Harsha Ram (Slavic Languages & Literatures and Comparative Literature). After a brief discussion, they respond to questions from the audience.

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