Southern Mardi Gras celebrations have long made an art of turning everyday reality on its head, but what seems most upside down about the 300-year-old celebration in Mobile, Alabama is the fact that it is still willingly segregated between the city’s black and white citizens. Capturing the bizarre ritual celebrations and complex meditations on race by local residents, Margaret Brown’s film presents a unique portrait of a place where the line between past and present is continually and intentionally blurred.
Literary reading featuring Adam Zagajewski, Mark Danner, Jessica Fisher, Linda Gregg, Robert Hass, Brenda Hillman, Charles Legere, Tony Lin, Jane Hirshfield, C.S. Giscombe, John Shoptaw, Alexis Ramos, and Luba Golburt.
Why War?: "Non-Violent Violence"
In this talk, Critchley reflects on the hugely difficult question of the nature and plausibility of a politics of nonviolence. In particular, he focuses on how such a politics has to negotiate the limits of nonviolence and in what circumstances it might become necessary to transgress those limits.
Why War?: "Violence as Dignity"
In an incident in Auschwitz, Jean Amery describes how, at a particular moment, he was forced to give "concrete form to my dignity by punching a human face." Bernstein's paper will interrogate the thesis, common to Amery and Frantz Fanon, that, as a consequence of the particular character of human embodiment, violent reprisal belongs to the grammar of human dignity.
“From Pleasure to Distress: How to Listen to Contemporary Music”
Townsend Resident Fellow Michel Pascal is a composer and a professor of electroacoustic composition at the Conservatoire de Nice, France. Pascal was hosted by CNM AT while at Berkeley.
"A Moving Image: Media and Metaphor in Stage"
An informal talk and screening looking at the role of metaphor through Ellen Bromberg’s work as a choreographer and subsequently as a media designer for stage and installation performances. Ideas of space, immersion and interactivity are addressed in the lecture, as Bromberg discusses the Center for Interdisciplinary Arts and Technology and the Multi-Media performance Lab at the University of Utah.
When first-time filmmaker Godfrey Cheshire’s family decided to uproot their pre-civil war plantation home from its original location, more than just the old foundation was dug up. The mansion’s relocation is an opportunity to document a feat of technical ingenuity, to explore the legacy of the South as portrayed by Hollywood, and to revisit a troubled period in our nation’s history.
Janis Tomlinson, Art Historian
Best known for her work on eighteenth- and nineteenth-century painting in Spain, Janis Tomlinson is Director of University Museums at the University of Delaware.
Join the Townsend Humanities Lab for a live celebration as its burgeoning digital community passes the 1,000-member mark. Champagne and music for all; demonstrations for the uninitiated. Catch one of the roving disposable cameras and help us commemorate the event.
Panel Discussants: Joyce Carol Oates, Dori Hale (English), Vikram Chandra (English), and Wendy Lesser (Editor, The Threepenny Review). Moderated by Anthony J. Cascardi (Townsend Center Director)