The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.
Poulomi Saha offers an innovative account of women’s political labor in East Bengal over more than a century, one that suggests new ways of thinking about textiles and the gendered labors of their making.
Approaching the seven-day week as an artificial construction of modern society, David Henkin explores its role as a dominant organizational principle that shapes our understanding and experience of time.
Edward Tyerman explores the role of China in the 1920s as the key site for Soviet debates over how the political project of socialist internationalism should be expressed through literature, film, and theater.
SanSan Kwan explores how dance — based in body-to-body interaction on the stage — serves as a revelatory site, and ultimately carries the potential to model everyday encounters across difference in the world.
The identity of Homer is shrouded in mystery, including doubts that he was an actual person. James Porter explores Homer’s mystique, approaching the poet not as a man, but as a cultural invention.
What might behaviorism, that debunked school of psychology, tell us about literature? Joshua Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life.
Exploring cheerfulness as a theme and structuring element in the work of major artists, Timothy Hampton (Comparative Literature and French) casts new light on literary history, the intersections of culture and psychology, and the history of emotions.
Professor of History Thomas Laqueur's book, The Work of the Dead, offers a richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.
Professor Emeritus of Classics Anthony Long’s book offers a wide-ranging study of Greek notions of mind and human selfhood from Homer through Plotinus.
Professor of Philosophy John MacFarlane’s book gives a clear account of what it is to be a relativist about truth and uses this view to provide a fresh perspective of parts of our thought and speech that have resisted traditional methods of analysis.
Professor of Theater, Dance, & Performance Studies Philip Kan Gotanda will read and discuss excerpts from three current projects Remember the I-Hotel (play), Both Eyes Open (opera), and Chelsea & Rodney’s Tango (video).
Professor Emerita of Film & Media and Rhetoric Linda Williams’ book examines the HBO television series The Wire (2002-2008). She argues that the series transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals and institutions. Introduction by Professor Alan Tansman.
Professor of Slavic Languages and Literatures Luba Golburt's book examines the complex place of the eighteenth century in the subsequent Russian literary tradition, tracing how later Russian writers paradoxically view the epoch as both formative and obsolete. Introduction by Professor Harsha Ram.
Professor of Art History Darcy Grimaldo Grigsby’s book illustrates how a runaway slave, Sojourner Truth, gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic images of herself at lectures and by mail.
Professor of Music James Davies’ book explores the very matter of musical experience; the hands and voices of virtuosic musicians and singers who plied their trade between London and Paris in the nineteenth century.
Katrina Dodson’s recent translation of Clarice Lispector’s Complete Stories (New Directions, 2015) collects for the first time all 85 short stories by one of Brazil’s most important writers.
Professor of Slavic Languages and Literatures Irina Paperno gives an account of Tolstoy's lifelong attempt to find adequate ways to represent the self, to probe its limits, and to arrive at an identity not based on the bodily self and its accumulated life experience.