Berkeley Book Chats

The Townsend Center presents a lunchtime series celebrating the intellectual and artistic endeavors of the UC Berkeley faculty. Each Berkeley Book Chat features a faculty member engaged in conversation about a recently completed publication, performance, or recording. The series highlights the extraordinary breadth and depth of Berkeley’s academic community.

Penultimates: The Now and the Not-Yet

Thomas Farber
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

In his wry meditation on aging, Thomas Farber memorializes lost friends and takes the measure of our current moment.

Apartheid Remains

Sharad Chari
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Sharad Chari explores how people handle the remains of segregation and apartheid in South Africa, as witnessed through portals in an industrial-residential landscape in the city of Durban.

Reading Greek Tragedy with Judith Butler

Mario Telò in Conversation with Judith Butler
Berkeley Book Chats
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Considering Judith Butler's “tragic trilogy” — a set of interventions on Sophocles's Antigone, Euripides's Bacchae, and Aeschylus's EumenidesMario Telò seeks to understand how Butler uses and interprets Greek tragedy and, ultimately, how tragedy shapes Butler's thinking.

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| Geballe Room, 220 Stephens Hall

Through bold new analyses of legendary works of German silent cinema, Nicholas Baer reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century.

Past Events

Jan Brueghel and the Senses of Scale

Elizabeth Honig
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

In the first book-length study of Jan Brueghel, Pieter’s son, Professor of History of Art Elizabeth Honig reveals how the artist’s tiny detail-filled paintings questioned conceptions of distance, dimension, and style.

Spiral: Trapped in the Forever War

Mark Danner
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

George W. Bush's War on Terror has led to seventeen years of armed conflict, making it the longest war in US history. Professor Mark Danner examines this state of perpetual struggle and its widespread acceptance in the name of American security.

1668: The Year of the Animal in France

Peter Sahlins
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Professor of History Peter Sahlins explores the “animal moment” in and around 1668, in which French authors, anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings.

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| Geballe Room, 220 Stephens Hall

In his study of High Renaissance art, Professor of English James Turner demonstrates the surprisingly close connection between explicitly pornographic art and the canonical works of masters such as Leonardo, Raphael, and Michelangelo.

Death Be Not Proud: The Art of Holy Attention

David Marno
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Death Be Not Proud: The Art of Holy Attention traces the role of attentiveness in philosophy, prayer, and devotional poetry, exploring a tradition of striving for a mental state devoid of distraction.

Improvised Continent: Pan-Americanism and Cultural Exchange

Richard Cándida Smith
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

Illuminating the story of how cultural exchange programs brought many of the most important Latin American artists and writers to the United States, Richard Cándida Smith explores Pan-American cultural exchange in the twentieth century.

The Rhetoric of Hiddenness in Traditional Chinese Culture

Paula Varsano, editor
Berkeley Book Chats
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| Geballe Room, 220 Stephens Hall

This volume brings together fourteen essays that explore the role of hiddenness—as both an object and a mode of representation—in the history of cultural production in China.

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| Geballe Room, 220 Stephens Hall

Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations.